When researching music, we were holding several ideas in
mind. First of all, we did not want the music to give our film a dark or somber
feel, so we knew we would have to medium to high tempo music. Secondly, we
wanted our film to have a youthfula ad bouncy feel, and we wanted the music to
reflect this. This once again narrowed the range of tempos and genres we could
use; doom metal would unlikely be appropriate in this instance. Thirdly, we
wanted the music to be recognisable to certain members of the audience, but not
the majority, as people may focus more on the song than on the film. For this
reason, we avoided the pop music world.
When music was allocated for different scenes, we had to
consider carefully the overall atmosphere of the scene. For instance, in the
party scene, the music was happy and upbeat, and reflected a happy and carefree
enviroment. This was to help create an atmosphere of youth. However, later on,
when the main character is attempting to chat some one up, we switched to the
funk genre, attempting to play on its stereotypical associations with sex and
seediness. Finally, for the ending of the film, we settled on an upbeat, happy
and easily recognisible song that contributed to the overall light hearted
atmosphere.
Posted by Duncan Morrison
Posted by Duncan Morrison
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